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Film Analysis: Sleaford Mods' Jason Williamson Assumes Character in Critical Look at Ecstasy Generation Era

Produced by Portishead co-founder the musician-producer, this sharp-edged if slight first film turns a sceptical eye on 90s rave culture. Venal pillhead David (the actor) initially steals from an passed-out supplier, then in another flashback tries to burgle his own parents. In no time, he's overturned in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Grimly Amusing Confrontation

Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the rave-era youth were mainly focused on number one – is firmly made. But these vignettes are insufficiently developed to properly prime us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Still, a grimly amusing duel unfolds – David desperate to escape; the Poacher denying his container of cider, determined to dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.

Visual Flair and Promo-Inspired Vibe

There is only one important plot development, but it leads to a hilariously staged rampage on the woodland paths that dips close to rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the opening part, he now lets rip with the full lysergic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.

Game releases in British and Irish theaters from 17 November.

By

Dennis Flores

A cultural historian and writer with a passion for uncovering hidden stories in UK arts and heritage.

Chronicle Culture UK

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